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Into The Light : Siouxsie And The Banshees 1980-1987
Siouxsie And The Banshees - Book - by Laurence Hedges
(2024)
In 1980, with their highest charting album to date, Kaleidoscope and two
successful singles, ‘Happy House’ and ‘Christine’, and a packed tour
schedule, Siouxsie and The Banshees are at the top of their game.
Swimming in their own stream, the Banshees defy musical categorisation
and are head and shoulders above their peers, with one objective: to be
the best band in the world. The band’s 1981 90-gig tour included 25
dates in the US, showcasing the exhilarating ‘Spellbound’, grotesque
‘Night Shift’ and the clandestine frisson of ‘Into The Light’, forming
the sonic backbone of what is considered to be the Banshees’ magnum
opus, Juju, their fourth studio album, released in June 1981.
Ushering in a new chapter in Siouxsie and The Banshees’ evolution the
opulent fifth studio album A Kiss In The Dreamhouse, marks another
change in direction, and sees producer Mike Hedges superseding
Kaleidoscope and Juju producer Nigel Gray. Released 5th November 1982,
several days after guitarist John McGeoch is ousted from the band after
two near calamitous performances at the Rock-Ola Club in Madrid, it was
the album that marked a potential dip in the band’s fortunes. However
the Banshees regroup, calling again on the services of The Cure’s Robert
Smith, whose fractured relationship with his own band made the offer of
becoming a touring Banshee too attractive to refuse.
As for
what happens next, this in-depth and authoritative account of one of the
most original, creative, imaginative and mercurial bands in the history
of rock music surveys the twists, turns and episodes of brilliance that
define Siouxsie and The Banshees’ evolution from 1980 to 1987,
including ancillary ventures ‘The Creatures’ and ‘The Glove’, and the
making of the albums Juju and A Kiss In The Dreamhouse, as well as
Nocturne, Hyaena, Tinderbox and Through The Looking Glass.